supported by 17 fans who also own “Gate of eternal life”
Late 90's BM worship, but it's also a lil more than that. This album takes the best elements from the scene it's inspired by and mostly avoids the worst of it; the song-writing is well-written, it's performed with passion and fun, and the production is raw but isn't lo-fi. (i.e. it doesn't obfuscate and/or suckass).
Tl;dr It's safe but high quality BM. Recommended. Rabbit
supported by 17 fans who also own “Gate of eternal life”
Otherworldly psychedelic guitar tone of wah-wah melo-riffing shines here. Unique sound. Unique avant-blackened-death band. Must have... Along with Veilburner - the best bands in genre Dmitry Nevozhay
supported by 16 fans who also own “Gate of eternal life”
Masterful use of acoustic passages and synth stuff. This is definitely my favorite black metal-dungeon synth kinda album I've found recently. Each track flows into the next so well, I cannot recommend it enough. Perri
supported by 16 fans who also own “Gate of eternal life”
Exactement un an après The Telluric Ashes of the Ö Vrth Immemorial Gods sortait Eternity Of Shaog et, comme si Asthâghul se consacrait à une renaissance, exactement un an après ce dernier sort Dy'th Requiem For The Serpent Telepath.
La symphonie ("Salhn", "Craânag") est encore plus importante mais n'occulte en rien la brutalité infernale : elle est un œuf qui éclot à l'intérieur d'Esoctrilihum, une forme de vie qui vient compléter un black metal hallucinant ("Eginbaal") et horrifiant ("Xuiotg"). Jordan Vauvert