supported by 25 fans who also own “In Tlilihtec Tzompantli”
Revenant Marquis continues with the subterranean vocals on this album. Percussion sound on all tracks has a very large sound, especially the bass drum. Guitar is generally very clean. The more I listen, the more I get Xasthur vibes, but with a more rock and roll influence. Still very depressive and chaotic. A cool album! QQBeastMode
supported by 25 fans who also own “In Tlilihtec Tzompantli”
Swirling guitars, furious drums, vocals that at the same time howl from infinite distance and are right up in your head; everything put into dissonant form with the help of unconventional songwriting. This album is my personal key to the icelanding black metal madness that I've ignored for way too long! Lukas Kaufmann
supported by 24 fans who also own “In Tlilihtec Tzompantli”
PSA: if there was an album you heard a couple years ago and thought it was ok, listen to it again and you might love it.
That's what happened to me with this album. I cannot fathom why it didn't stick with me back then. Same thing happened with Decoherence's Unitarity for that matter. Matten